Blue Lotus
Between 2020 and 2021, Kitson commenced a transformative series of reimagined life drawings, infusing them with rich symbolism, mythology, and vibrant colors. This body of work ultimately paved the way for his compelling ‘Shadow Work’ project.
Tangata manu
(Bird-man)
Size:100x126cm
The last and largest piece completed for Blue Lotus, this painting is all about creation and downfall. It is meant to be read anti-clockwise from the eggs in the hand at the bottom of the composition, through self-realisation/corruption, deification and ego, before finishing with the tarot figures being taken to the next world by the dolphins.
Tangata manu (Bird-man) is the winner of a traditional competition by the inhabitants of Rapa Nui (Easter Island), where competitors would swim out to a nearby island to retrieve the first sooty tern’s eggs of the season. The winner was the first one back with the eggs in tact, who would be crowned bird-man. The figure in the painting is my version of the cult’s deity, Make-Make. In its hand is held a nest of eggs and a chick, a copy of a wood and ivory sculpture which was found in King Tutankhamun’s tomb.
The Dew Comes Right Before the Dawn
Size:93x122cm
Large scale painting of oil and ink on paper mounted on to board and framed.
Wave of Land
Size:58x42cm
Continuing the nature theme of the earlier Harvest pictures and adding a circular feel with water. The underworld monkey character from Chthonic Boom makes a cameo.
Vault of the Sky
Size:41x57
Legendary London life model Barrie, sadly no longer with us, appears in this painting, whose start point was a drawing from 2018.