Blue Lotus
Between 2020 and 2021, Kitson commenced a transformative series of reimagined life drawings, infusing them with rich symbolism, mythology, and vibrant colors. This body of work ultimately paved the way for his compelling ‘Shadow Work’ project.
infinity wing
Size:58x42cm
In this painting I wanted to place the whole idea of taking flight within one body, so that not only the external tools of flying like feathers, but also the infinite space of the sky, was within the form, self sufficient and self contained.
Tangata manu
(Bird-man)
Size:100x126cm
The last and largest piece completed for Blue Lotus, this painting is all about creation and downfall. It is meant to be read anti-clockwise from the eggs in the hand at the bottom of the composition, through self-realisation/corruption, deification and ego, before finishing with the tarot figures being taken to the next world by the dolphins.
Tangata manu (Bird-man) is the winner of a traditional competition by the inhabitants of Rapa Nui (Easter Island), where competitors would swim out to a nearby island to retrieve the first sooty tern’s eggs of the season. The winner was the first one back with the eggs in tact, who would be crowned bird-man. The figure in the painting is my version of the cult’s deity, Make-Make. In its hand is held a nest of eggs and a chick, a copy of a wood and ivory sculpture which was found in King Tutankhamun’s tomb.
within you and without you
Size:41x55cm
This was the first painting in which I thought about trying to articulate the space that exists between the physical and the spiritual experience, resulting in the violet shapes coming from the organs and the spine. The colour is used through this collection of paintings to signpost the spiritual element, developing from this early form into the more recognisably figurative later on.
The Dew Comes Right Before the Dawn
Size:93x122cm
Large scale painting of oil and ink on paper mounted on to board and framed.
While I was sleeping
Size:58x42cm
From a life drawing at Vaulty Towers, a small room below the pub, where the model is always close, resulting in great angles and foreshortening. The bisection which divides the picture was either a rug or the skirting board, and I used it in this early painting as a first exploration into the duality between the conscious and the unconscious mind which reoccurs in subsequent Blue Lotus pictures.